
Susan
Sarandon: A True MaverickHats Off Books ~ ISBN: 1587363003
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I love making films with people who have a
passion for their stories.
- Susan Sarandon
Susan Sarandon’s memorable performances in such movies as Thelma & Louise, Dead Man Walking, Bull Durham, Atlantic City and Lorenzo’s Oil have made her an American icon. Passionate and outspoken, she’s often controversial. Why did Sarandon choose acting as a career? What is her acting philosophy? How does she select roles? What motivates her to promote social and political causes? Why do some people object to this? How do critics rate her work and her movies? Betty Jo Tucker answers these questions and more in Susan Sarandon: A True Maverick, an analysis of Sarandon’s achievements from a film critic’s perspective. Tucker’s book also includes an annotated filmography of Sarandon’s movies and selected reviews of her key films.
ContentsTrue/False Quiz |
REVIEWS
Susan Sarandon: A True Maverick
is no cardboard cut out biography. Instead, it is
a treat to read, full of wonderful information
about one of, if not the most beautiful woman
working in film today. An amazing read and
one that I will read again and again. ~ Wolf's
Picks
EXCERPT:
In her professional life – and because of her ability to project a smoldering sexuality – Sarandon has created some unforgettable on-screen moments with many of her leading men. She’s certainly co-starred with some of the best, including Burt Lancaster, Dustin Hoffman, Kevin Kline, Barry Bostwick, Jeff Goldblum, Kevin Costner, Robert Redford, Jack Nicholson, Gene Hackman and Paul Newman. Who can forget the famous “pedicure” scene between Costner and Sarandon in Bull Durham? Or the explosive sexual chemistry between Sarandon and a much younger James Spader in White Palace? To me, these film moments rank right up there with classic romantic scenes between such perfect screen partners as Cary Grant and Ingrid Bergman, Glenn Ford and Rita Hayworth, Katharine Hepburn and Spencer Tracy. That kind of chemistry is hard to defie, but it reminds me of Mark Twain’s observation “Words are only painted fire; a look is the fire itself.”
Buy this book now!
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REVIEWS of Betty Jo's books...
Thumbs
Up!
A Funny
Look at Movies
by James Colt Harrison, editor of National Film
PreVue Magazine
If Oscar's were given for the funniest book of the
year, then "Confessions of a Movie Addict" by
Betty Jo Tucker would win hands down! Film critic
Tucker is as star-struck today as she was as a
little girl when she was frightened out of her
wits by FRANKENSTEIN and later in high school when
she did impersonations of Rita Hayworth singing
"Put the Blame on Mame." She fell hopelessly in
love with the movies and movie stars. The
affection she developed warped her mind from that
point on to her present day success as a film
critic. It has been said you have to be nuts to be
a movie critic, and Tucker would probably agree.
Tucker takes us through her life in a chatty,
gossipy way that serves the book's topic well. She
regales us with hilarious personal encounters with
movie stars and directors. Her unique and jolly
way of looking at films is sampled in the reviews
that are also included in the book.
If you love movies as much as I do, you'll love
CONFESSIONS OF A MOVIE ADDICT. I haven't had so
much fun since I watched a Laurel and Hardy
comedy. Short of doing pratfalls, Tucker will set
you laughing out loud with her confessions.
SUSAN SARANDON: A TRUE MAVERICK (by Betty Jo
Tucker)
Reviewed by Chris Mansel for The Muse Apprentice
Guild
In a world of so many film critics that it is
dizzying to contemplate, one of the rare figures
that stands out is Betty Jo Tucker. Ms. Tucker
writes with an endearing quality of a true fan of
the movies that haven't allowed her to be cast in
the work she re-creates in her reviews. Her new
book, SUSAN SARANDON: A TRUE MAVERICK, is not, I
repeat NOT just the average book written by a
critic to either get closer to a celebrity or to
treat the work of the actor like the pinnacle of
the craft. A TRUE MAVERICK guides us through the
artistry and the sometimes-turbulent life, private
and public, of one of American Cinema's most
talented actresses.
As you turn the pages of A TRUE MAVERICK you
realize just how much a maverick the author is
herself; it is best stated in the following
passage:
"As an anti-war protestor during U.S. involvement
in Vietnam, I understand Sarandon being upset when
people think she doesn't love this
country. ‘Peaceniks’ were suspect back then, too.
I remember my job as a college dean being in
jeopardy as a result of hiring the famous pacifist
poet Daniel Berrigan to teach in the Upward Bound
program. Those were troubled times, and calling
fellow citizens traitors for harboring opinions
about military action didn't help solve anything
-- nor will it now."
Ms. Tucker focuses a special section of the book
to The Myelin Project, and even has stated that
all proceeds she receives from the sale of this
book will go to this worthwhile fund. Susan
Sarandon became involved with The Myelin Project
while making the film, "Lorenzo's Oil." Another
excerpt from TRUE MAVERICK:
"When Lorenzo was five years old, he began doing
strange things like bumping into objects. Augusto
and Michaela soon received the horrifying news
that their son had a rare, incurable genetic
disorder that would cause him to lose all his
bodily functions and die before he reached his
teens. This disorder, known as
adrenoleukodystrophy (ALD) only affects boys, but
it is passed on through the mother. The Odones
refused to look at this illness as incurable, so
they began doing research on their own. After two
years of fighting with the medical establishment
and parents of other ALD boys, they discovered a
blend of plant oils they thought would help their
son."
A TRUE MAVERICK is as far-reaching and as
endearing as Betty Jo Tucker herself. From the
films of Susan Sarandon ("Dead Man Walking" and
"The Cradle Will Rock") to the activism of an
American citizen, you can call her a True
Maverick, in a time when standing out in the crowd
can’t be the safest place.
HER
INFINITE VARIETY
(Film Critic Donald J. Levit Reviews SUSAN
SARANDON: A TRUE MAVERICK)
Vampires and baseball are two longtime passions.
Underrated The Hunger and praised Bull Durham are
among the best modern movies of the two. But
though both star Susan Sarandon, I had never quite
been swept onto her bandwagon.
Until now.
Three years after Confessions of a Movie Addict, her humorous, human reflections on a half-century love affair with the world of cinema, Betty Jo Tucker’s Susan Sarandon: A True Maverick (both Hats Off Books) does the same for her more specific subject, the ageless/gracefully aging fifty-six-year-old superstar out of Edison, New Jersey.
This is thankfully not your cradle-to-now biographical chronology of fan factoids like baby steps and foods and adolescent crushes. Nor is it content simply to unleash the standard-issue encomium-after-praise. Balancing lots of compliments from a variety of sources, are the complaints of nay-sayers (particularly regarding her public stances on political and social issues), many conveniently grouped in the chapter, “Her Critics Speak Out.” Instead, it is a portrait of la Sarandon in her many facets as high-profile celebrity, woman, mother, significant other and social activist as well as a performer who tackles a range of on- and off-screen rôles which reflect on one another.
In this age of information and misinformation blitz, Tucker’s book seamlessly organizes a literal ton of material and makes it fun (even to the 1867 surname origin of the word maverick). Combining interviews, reviews (favorable and negative), articles and Web sites to bring her subject to readable reality, Tucker equally includes unfortunately lesser known activities such as the star’s work as Special UNICEF Representative, spokesperson for The Myelin Project (growing out of her portrayal of Michaela Odone in Lorenzo’s Oil) and fund- and consciousness-raiser for a number of human rights, women’s and health causes. Tired of sometimes not especially aware entertainment figures espousing this or that, I find myself convinced here, won over by the reasonableness of Sarandon’s giving something back, not telling the public what to think but helping it to know enough to make intelligent choices.
Adjectives recurring in others’ comments indicate
the versatility of the woman and the actress--from
tough/aggressive and yet vulnerable, sexy and also
mature, crazy and at the same time
no-nonsense--who herself speaks of a fondness for
those “with a passion for their stories.” Tucker,
too, is obviously such a person. The only regret
is that there are not more pages of the author
here. The book is short, with fully half taken up
by a filmography, bibliography, list of Web sites
and selected reviews, which are helpful but
available elsewhere and in some cases already
noted within the text. Though this is a way of
saying that one wants more of this good thing,
still the book will reward fans and amaze and
convert others (like myself).
Buy
this book now!
(NOTE: this link will open a new window. To
return, simply close down the new window:))
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